Since I started seriously writing, I’ve learned there are a vast assortment of skills I might logically profit by that I just don’t have. And I’m not talking about grammar and spelling, or judging when to use active voice or how to write dialog that sounds true to life but isn’t as dull and repetitive as life—though those are all on the list.
No, I’m talking about the meta-skills, the things writers need to know these days that have nothing (or little) directly to do with writing, skills like using software to create promotional signage and book layouts, reading stories before an audience (or into a microphone for audiobooks), hawking your wares from a comic con booth or yes….begging for money.
That last might seem an odd choice for someone like me with major contest wins and a string of top market professional sales under my belt. But the sad truth is, short stories just don’t pay very much, and unless you hide all the other writers in a cupboard somewhere, it’s almost impossible to sell more than a few per year at professional rates.
So…as I work on the core skills (the prosy ones and the butt in chair, actually writing the novel ones) I started thinking a few years back, that it would be wise if I had a plan in place, should the need arise, to convince the IRS that yes, this writing thing really is a business that will one day turn a net profit after appearances and expenses.
My first step along those lines was to create Got Scifi Group, a small imprint and informal collaborative of some of my award-winning writer friends, for the purpose of producing anthologies that those of us who make appearances and don’t yet have a back list of novels can sell at a measurable profit.