Meet The Winners! J.W. Alden!

Let me introduce you to my new writer friend, 2016 Writers of the Future winner, J.W. Alden.8x10

Stuart: Hi J.W.! Introduce yourself.

J.W.: Well, I’m a native Floridian who never got used to all that sun. I had my fair share of bike rides and backyard shenanigans, but for the most part I preferred to stay inside where the books and video games were. This probably fueled the overactive imagination that led to my eventual love of writing. Though if you had asked Little Kid Me what I’d be doing at 30, he’d probably guess by now I’d be the first professional wrestler chosen by NASA to become an astronaut. It turned out this was not a viable career path.

Stuart: Perhaps not, but it would make a smashing short story for Unidentified Funny Objects. So aside from an aversion to solar radiation, what got you into writing?

J.W.: My second grade teacher. I told her I wanted to be an astronaut when I grew up and she asked me to write about it. I fell right into her trap.

About four years ago, I was driving a forklift in a warehouse. I worked the graveyard shift, then came home as the sun rose, and spent the morning writing. Then one night, as I was heading out the door, my wife stopped me and said, “When are you just going to be a writer?” I must have seemed perplexed, because she added, “Just quit your job. You don’t need it. You’re a writer.”

I realized both how incredibly lucky I was and how incredibly dumb I would be not to take her up on that offer.

Stuart: Indeed. When we were packing up to leave my year at WotF, we asked Tim Powers if he had any parting advice. “Yeah,” he said, “Marry into wealth.” How long have you been entering WotF?

J.W.: This was my second time entering the contest. The first time I entered, I was still a baby in the craft and received a well-deserved R. Being unaccustomed to rejection at the time, I became discouraged and didn’t enter again. After a few years of steady improvement and a handful of confidence-inspiring sales, I thought I ought to give it another shot. So, I vowed to buy all the anthologies, analyze the winning stories, and enter every quarter until I won or became ineligible. At the time, however, the current quarter’s deadline was coming up before I’d had a chance to enact this grand strategy. So I entered an older story to keep my promise of never missing a quarter. That story ended up taking 1st place, ruining all of my elaborate plans of engineering a winning story.

Stuart: Well it was an excellent strategy, and remains so. I still regularly read Hugo winners and such from current and ancient years for inspiration and tutleage. Star Trek or Star Wars?

J.W.: Oof. That’s a tough one.

On one hand, Jean Luc Picard was basically my TV-dad. Remember that scene in The Cable Guy where Jim Carrey laments, “I learned the facts of life from watching The Facts of Life! Oh, God!” Well, I developed my moral compass watching Captain Picard berate Wesley Crusher.

On the other hand, I probably wouldn’t be writing science fiction and fantasy today if not for Star Wars. In my favorite child photo, I’m holding a Return of the Jedi storybook at around five or six years old. Those movies instilled the first spark of wonder in me that made me fall in love with this genre. For this reason, if you held a lightsaber to my throat and made me choose, I’d have to go with Star Wars. Love them both, though.

Stuart: This is, of course, the correct answer. You have done well, young Padawan. Are you a pantser or a plotter?

J.W: I started out a pantser. Stephen King made it sound like the One True Way in On Writing. But as I grew in the craft over the years, it became clear that plotting works best for me.

For many writers, I know the first draft is the fun part, whereas revision is the part that feels like work. For me, it’s the opposite. When I’ve reached the revision stage, I feel I’ve done the heavy lifting. I lugged that big block of clay up onto my desk. Now I can mold it and shape it into something pretty. The blank page is far more intimidating. Outlining at the beginning of the process relieves a lot of the “WHAT NOW, WHAT NEXT” jitters the first draft used to bring. There’s no need to panic with my hand on the helm. The ship has a course.

I never feel handcuffed to my outlines, though. I allow room for discovery, especially when it comes to character. If I feel like the story wants to tug in a different direction, I let it.

Stuart: Man, you said a mouthful. Revision is awesome. It’s where you scrub the snot off your prose and let the miracles shine. I LOVE it! If you had a superpower, what would it be?

J.W: I wish I could stop time. I’ve always been a slow writer. Pausing the clock would solve so many problems. Not only would my productivity soar, but I’d never again feel guilty for spending too much time on the internet. Or playing video games. Or anything I want with no temporal consequences! I could have sickening amounts of fun all day and still pump stories out like there’s no tomorrow (because there would be no tomorrow until I commanded). I could be a literary machine. I could write ten novels a year. Come to think of it, this must be how Brandon Sanderson does it, right? He stops time? Yes, that must be it.

Stuart: Clearly. And boyish good looks. Tell us about your winning story

J.W: My story is called “The Sun Falls Apart.” It’s about a boy named Caleb who has never seen the sun. Boarded windows and a fortified door have kept the outside world a mystery his entire life. The only way out is passing the strange tests his parents conduct on him–tests that require Caleb to grasp at a power he doesn’t understand.

I wrote the earliest draft at Odyssey Writing Workshop in 2013. The pressure cooker environment of Odyssey forced me to produce a complete story on a tighter deadline than I’d ever experienced before (though the 24 hour challenge at the Writers of the Future workshop has since blown that out of the water), and I found myself turning toward this old story nugget that had been rattling around in my head for years.

After Odyssey, I came home burned out creatively, as is common for writers who go through intensive workshops. I needed time to digest all the knowledge swimming around in my skull before I could return to those stories. The draft that would become my 1st Place story languished in a cardboard box for a long time before I finally fished it out into the daylight. With the help of the feedback I’d gathered at Odyssey, I hammered that first draft into one of my favorite stories. I’m beyond delighted that it found its home with Writers of the Future.

Stuart: Nothing is more precious to the writer than unvarnished feedback. So what’s you’re favorite genre?

J.W: Another tough one!

Earlier, I mentioned Star Wars instilling my first love for SFF, and it’s true. But looking back, Wizard’s Hall by Jane Yolen is the book that made me love reading. It kickstarted a hunger for the written word that has never let up, and I think part of me will always associate that feeling with fantasy. I gobbled up all the science fiction I could get my hands on as well, and I still love both genres. But fantasy brings me a sense of freedom that I don’t always associate with science fiction. I feel like it gives my imagination a wider playground.

As such, my own work has leaned further toward the fantasy side of things as I’ve developed my writerly powers. The scifi stories I write tend to be on the softer side, often to the point of feeling like fantasy with science fictional trappings. I think it comes back to that sense of freedom. With science fiction, the author has a certain responsibility to the reader to keep accurate science at the heart of things, especially as you climb higher on the hardness scale. You have to play by the rules. Not that this isn’t true of fantasy as well, but with fantasy you get to decide what those rules are. With science fiction, I control the plot, the characters, their lives. With fantasy, this control extends even deeper, all the way to the very fabric of the universe they live in. I’m not just a storyteller; I’m a god. And it feels pretty good to be a god. Maybe not as good as a pro wrestling astronaut, but pretty damn good.

Stuart: Agreed. I started out with hard scifi. I still love it, but the more I write, the more I realize the story’s the thing. So now that you’re back from tinsletown, was the best part of the workshop?

J.W.: The big art unveil. It’s always awesome when you talk to a reader who really got your story, but it’s something else entirely when they take that understanding and make art of their own.

Stuart: Yeah, that still makes me smile. So what’s next?

J.W.: I want to keep the momentum going. I have a couple of stories in the oven awaiting revision, including the one I wrote at the workshop. Hopefully I can keep making sales and getting my name out there. I’m also looking to make the transition from short stories to novels this year. I’m excited (and a little terrified) at the prospect of traversing this unfamiliar length.

Stuart: Well I can’t wait, and remember, we’re family now.

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Follow J.W. at http://www.AuthorAlden.com, on Facebook or @AuthorAlden

How Can I Improve My Writing?

Increasingly, I am asked by aspiring writers of various levels how they can improve their writing. This is a sufficiently common question, that warrants a sufficiently long answer, that I’ve decided to post the answer here for future reference.

How to improve your writing:

Join a critique group. No matter your skill level, the hardest thing for any writer to learn is to see through the eyes of readers. No writing book, course, or lecture can take the place of real live feedback from disinterested strangers looking at your work. Your local writers guild probably has a list of local groups in your area, or if you prefer, there are now many good online critique services. In addition, most good critique sites offer a host of forums and resources that can be invaluable to you.

I have tried and can recommend www.CritiqueCircle.com and www.Scribophile.com, both of which have free options. Critters is also a reputable service, though I found it less conducive to building relationships with critiquers and other writers. I can’t personally recommend Wattpad or Amazon’s WriteOn, as they seem to me too focused on the superficial, and I fear they may be designed to feed the fantasy of the aspirant more than to instill the skills of the serious writer.

Do not reply to critiquers to explain, justify, defend, or argue. Just say thanks, move on and use or don’t use their feedback as you see fit. Learn to see the truth beneath the comment, even when the comment is wrong.

Read like a writer. Read a lot, especially award-winning work in and beyond your genre. Study these tales as instructional samples. Look at formatting and punctuation, especially dialogue and dialog attribution. Move on to pacing, tone, word choice.

Some writing gurus advise reading bad prose in order to learn by counterexample. That’s a terrible idea. Humans learn by imitation, and until you have found your voice, you will tend to sound like whatever author you just read, be it Tolstoy’s translator or Edward Bulwer-Lytton. You can, however, learn a great deal by studying the masters from an earlier age and cringing over their self-indulgences. Nathaniel Hawthorn, for example, had a knack for saying something wonderfully, then saying it again (wonderfully) and then again (also wonderfully). This isn’t the nineteenth century. We can’t get away with that anymore, but if we can just come up with one “wonderfully” at a time, we’re good.

Stop trying to impress. Beginning writers invariably overwrite. They fluff up their prose with fresh ten-gallon words and flowery description. They invert standard sentence order incessantly. They use metaphors that leave readers scratching their heads, and they use metaphors entirely too much. They try too hard to be philosophical, to pull at the heart, to be dark and obscure and literary. Knock it off. Relax. Tell a good story. Make it clear. The rest will come with practice.

Look for the “Telling Detail.” Beginners, lacking confidence, often bury their story under the weight of unnecessary and often repetitive detail. Learn to recognize the one or two key details—in a setting, character, conversation, etc.—that implies everything else the reader needs to know. Better to give one bit of description that implies character and mood, say, than to spell out all three in long winded prose.

Master the basics. Become an expert on grammar, usage, punctuation, manuscript formatting, and vocabulary. As a writer, you will often break the rules, but you can only do so confidently and cogently if you know what they are in the first place. And by the way, many of the rules you were likely taught in elementary school are simply wrong. Often, they were contrived to steer students away from common sources of confusion. Learn those sources and avoid them—and learn when to ignore those sorts of rules.

Here are some resources to help you:

Do not for a moment think you can rely on a grammar checker, or tools like Grammarly or Autocrit/Procrit. These can be helpful learning aids. They flag what they think are errors, and you research to decide whether they are right or not. Once you master the basics, you’ll find these tools are no longer almost ever right, and then you don’t need them any more.

Don’t accept shortcuts. The late Christopher Hitchens was fond of saying he reckoned “everyone has one book in him….and in the great majority of cases, that’s just where it should remain.” If you want to write as a hobby, that’s fine. It’s great therapy, a sort of thematic extended diary. No one wants to see that, but that’s okay. Meanwhile, there are frankly more aspiring writers than the world has need of. A great many spend an inordinate amount of time complaining that their chosen pariahs (agents, editors, purchasers, publishers, name-brand bookstores, the public, “gatekeepers,” etc. are conspiring to keep their voice from being heard. Well this is nonsense. All those “gatekeepers” make money by getting great works into the public’s hands. They want you to be great, but the cold reality is, if you aren’t, there are always others in the slush who may be. For many writers today, the greatest threat to eventual greatness is the impatient unwillingness to invest in their craft. Don’t be one of the whiners.You have little control of luck and taste, so focus on what you do control, attitude and industry.

Which leads me too…if you are really seriousgrind about writing…

Write a million critiqued words. No kidding. Ten long novels worth of your best effort, edited and polished, critiqued and revised, and most of it tossed in the forever file. That’s what it takes.

Dave Farland, first reader and lead judge for the Writers of the Future contest talks about “confident writing” as the ineffable divide between professional quality work and “not there yet.” I can’t explain what Dave means by “confident writing” any better than he can, but I understand it perfectly. Read sparkling pro-quality stories until you see it, and then you know what you’re shooting for.

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What do you think? Have a good resource I should add? Want to suggest another tip? Leave a comment and let me know.

 

Support Your Favorite Authors

Ye Olden Times

My mother always wanted to be an author. She went so far as to give me what she thought was a writerly name and to send a few pages off to an editor who was kind enough to write back with encouragement and advice. In those days, most editors saw it as part of their job to help find and nurture the next crop of writers. Agents would take on new clients and then eat their commission through the first unprofitable, formative years as a writer found his or her wings.

Those days are gone.

In this branded, Internet age, publishers, editors, and agents face grueling competition from every direction. They still try to find and foster new talent, but everything they do must be funded from the profits from the big brands in their portfolio. It’s a dangerous game. If they invest too little in the future, they’ll slowly starve, to much and they’re bankrupt tomorrow.

Today, you almost can’t sell a non-fiction book without a built-in audience from Youtube, a contentious term in Congress, or prime-time news coverage of you taking a bullet to save a kitten. And we fiction authors are not far behind.  Anyone with a credit card can publish a book. Millions do each year. Publishers, increasingly, struggle to get their big guns out in front of consumers, to say nothing of the little guys or the new guys.

So how does this affect you as a reader? In two ways: First, you have your pick of more new reading material than ever before, though must of it, to paraphrase Christopher Hitchens, is that one book that everyone has in him but which, in most cases, is just where it should remain. Second, you can help.

How you can help good writing

  1. Be understanding. Yes, some writers are downright obnoxious in their obsessive desperation to self-promote, but we have to toot our own horn. Any writer who doesn’t maintain a mailing list, who doesn’t add a promotional footer to email and social media interactions, simply isn’t doing his or her job. I try to keep mine simple, tasteful, and whenever possible, humorous, but it has to be done.Screenshot - 02272016 - 01:58:47 PM
  2. Spread The Word. Liking and following on social media is awesome–thank you! But you know what’s even awesomer? Sharing. Retweeting. Blogging. When you do that, your peeps can see what you like and your author gets badly needed exposure.
  3. Visit Their Website. We built it for you. Visit it and report any problems you see, then sign up for the newsletter, request the freebie, and pass the word to your like-minded friends.
  4. Review Their Work. Goodreads and Amazon are just two places where you can rate and review books and magazine issues you like. Reviews help sell all products these days,  but they especially help with books by increasing the attention they get online. Have a blog or Youtube channel? Post a review, start a discussion, or just tweet a selfie of yourself with the book–or an “in the wild” photo of the book on a bookstore shelf. God, how we love those.
  5. Review the author. Love an author’s latest–and not for the first time? Think of why you like it–what it is that speaks to you–and post on that. One of my favorite parts of my website is a little scrolling list of kind words from readers.
  6. Pre-order that Novel. Preorders mean everything to new authors with a book contract. Really. Preorder it. Pre-order a copy for gifting, for the library, for the school. Tie up your friends, er…I mean…talk your friends into pre-orpodiumdering too.
  7. Nominate us. Attending Worldcon? YOU can nominate for the Hugos and the Campbell. Know all that “Sad Puppies” kerfuffle last year? That was only possible because almost no one ever does. Nominate and vote for awards big and small, international and local. We love that. A lot. Really.
  8. Come see us! We authors, we do these things called book signings? You know…you buy or bring a book and we open it up and scribble, “Dear Sally, I was told there would be donuts,” or something like that. Do that. You know what really makes our day? Smiling, happy readers. We love you. Really. We do it all for you. Well, at least half for you. Well you’re in there somewhere, anyway. And if you don’t come see us at Barns & Noble, we’ll have to post another selfie with the barista in the coffee shop, and no one wants that. Seriously. No one.

Get My Free Sampler

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This is an offer from C Stuart Hardwick, not an advertiser. Your email will never be spammed or sold.

 

See what I did there? 🙂

And the Nominees are!

Check it out–check it out!
The nominees are out, and my friends, Beth Cato and Martin L. Shoemaker are up for the Nebula!

Novel

Raising Caine, Charles E. Gannon (Baen)
The Fifth Season, N.K. Jemisin (Orbit US; Orbit UK)
Ancillary Mercy, Ann Leckie (Orbit US; Orbit UK)
The Grace of Kings, Ken Liu (Saga)
Uprooted, Naomi Novik (Del Rey)
Barsk: The Elephants’ Graveyard, Lawrence M. Schoen (Tor)
Updraft, Fran Wilde (Tor)

Novella

Wings of Sorrow and Bone, Beth Cato (Harper Voyager Impulse)
‘‘The Bone Swans of Amandale’’, C.S.E. Cooney (Bone Swans)
‘‘The New Mother’’, Eugene Fischer (Asimov’s 4-5/15)
‘‘The Pauper Prince and the Eucalyptus Jinn’’, Usman T. Malik (Tor.com 4/22/15)
Binti, Nnedi Okorafor (Tor.com)
‘‘Waters of Versailles’’, Kelly Robson (Tor.com 6/10/15)

Novelette

‘‘Rattlesnakes and Men’’, Michael Bishop (Asimov’s 2/15)
‘‘And You Shall Know Her by the Trail of Dead’’, Brooke Bolander (Lightspeed 2/15)
‘‘Grandmother-nai-Leylit’s Cloth of Winds’’, Rose Lemberg (Beneath Ceaseless Skies 6/11/15)
‘‘The Ladies’ Aquatic Gardening Society’’, Henry Lien (Asimov’s 6/15)
‘‘The Deepwater Bride’’, Tamsyn Muir (F&SF 7-8/15)
‘‘Our Lady of the Open Road’’, Sarah Pinsker (Asimov’s 6/15)

Short Story

‘‘Madeleine’’, Amal El-Mohtar (Lightspeed 6/15)
‘‘Cat Pictures Please’’, Naomi Kritzer (Clarkesworld 1/15)
‘‘Damage’’, David D. Levine (Tor.com 1/21/15)
‘‘When Your Child Strays From God’’, Sam J. Miller (Clarkesworld 7/15)
‘‘Today I Am Paul’’, Martin L. Shoemaker (Clarkesworld 8/15)
‘‘Hungry Daughters of Starving Mothers’’, Alyssa Wong (Nightmare 10/15)

•••

Six Top Lesson From Winning Writers Of the Future

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Ray Bradbury Award for Outstanding Dramatic Presentation

Ex Machina, Written by Alex Garland
Inside Out, Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original Story by Pete Docter, Ronnie del Carmen
Jessica Jones: AKA Smile, Teleplay by Scott Reynolds & Melissa Rosenberg; Story by Jamie King & Scott Reynolds
Mad Max: Fury Road, Written by George Miller, Brendan McCarthy, Nick Lathouris
The Martian, Screenplay by Drew Goddard
Star Wars: The Force Awakens, Written by Lawrence Kasdan & J.J. Abrams and Michael Arndt

•••

Andre Norton Award for Young Adult Science Fiction and Fantasy
Seriously Wicked, Tina Connolly (Tor Teen)
Court of Fives, Kate Elliott (Little, Brown)
Cuckoo Song, Frances Hardinge (Macmillan UK 5/14; Amulet)
Archivist Wasp, Nicole Kornher-Stace (Big Mouth House)
Zeroboxer, Fonda Lee (Flux)
Shadowshaper, Daniel José Older (Levine)
Bone Gap, Laura Ruby (Balzer + Bray)
Nimona, Noelle Stevenson (HarperTeen)
Updraft, Fran Wilde (Tor)

So proud. So envious. Must write faster!

 

https://www.sfwa.org/2016/02/2015-nebula-awards-nominees-announced

Meet The Winners! Kate Julicher

Greetings fellow readers! Allow me to introduce this year’s Writers of the Future Published Finalist, the very lovely, Kate Julicher.

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Author Kate Julicher

Stuart: Hi Kate! It was great meeting you at Superstars earlier this month, tell my readers a bit about yourself.

Kate: I’m actually only half of the KD Julicher team. My husband and I collaborate closely – you might say intimately – on everything I write. My role is to be the “hands on keyboard”. We toss ideas around through emails during the work day or on weekend expeditions into the mountains around our home or over dinner. Then I sit down and write a draft, then we edit it together with a fine-tooth comb, lots of wine, and hopefully no need for marital counseling.

Oh, and I keep trains from crashing into each other.

Stuart: Wow! Any talents or hobbies, aside from the train thing?

Kate: I sing a lot. Not professionally, but it seems like once a month someone comes up after church and says “you should join the choir!”. I don’t think it’s because I’m that good, I think it’s just that I’m loud and enthusiastic.

Stuart: Enthusiasm definitely counts! So how’d you get into writing?

Kate: I’ve always been a writer. I wrote on that “story paper” you get in kindergarten, the stuff with the big lines and space at the top for art. I spent three years in fanfiction as a teenager and then discovered NaNoWriMo, which I’ve done every year since 2002 and only failed once. About four years ago we decided to get serious and went from NaNovelists to working at the craft year-round.

Stuart: Ha ha! I remember “story paper.” How long have you been entering WotF?

Kate: Two years ago I decided to enter every quarter of WotF until I won or pro’d out. I’ve racked up 4 HMs, 3 finalists. One of those won the Baen Fantasy Adventure contest in 2014.

Stuart: All right! Way to go, Kate! Okay, Star Trek or Star Wars?

Kate. Yes? I grew up on Star Trek. For a while it was the only thing my parents would let us watch. I saw the whole Star Wars trilogy at one sitting when I was 13 and it really fired my imagination. Right now I am enjoying the new Star Wars movie more than the new Trek movies but I would love to be won back over by Trek.

Stuart: Fair enough. Hey…what’s that…who’s shining that light in my eyes?

Kate: Winks.

Stuart: Pantser or Plotter?

Kate: Definite plotter. If I have a detailed scene-by-scene outline when I sit down I can whip out a first draft in no time flat. That said I leave enough room for my characters to surprise me.

Stuart: Very impressive. How do you come up with the outline?

Kate: My husband and I throw ideas back and forth at each other for a while. Then I sit down and start plotting in Scrivener. I set up a new project, break things into three acts, and start dumping in the events I know will happen as separate scenes.  I use the notecard function to jot down some notes for each scene. I’ll put in placeholders in between the scenes I know about, and start filling in. Usually at this point my writing brain is active and things just start to click. I also like to put in a word count estimate on each scene. If I’ve got multiple POVs, I color-code the scenes. Then I look and say, ok, this part needs to be longer, I need another Lord Evilpants chapter here, etc.

After that we’ll ideally go over the outline and make sure it makes sense. Then I sit down to write. If I’ve done this outline right, the writing part is pretty darn fast. I wrote a 120,000-word draft last November for NaNoWriMo, thanks to this system. It’s got some flaws and the pre-writing part can take anywhere from a couple of weeks to months, but I feel like the resulting product is strong.

I’m looking to upgrade this process to the next level by incorporating scene/sequel plotting as described in Deborah Chester’s “The Fantasy Fiction Formula” but I only just got that book so I haven’t actually tried yet.

Stuart: What’s the nuttiest thing that ever happened to you?

Kate: My boss wouldn’t let me quit my job.

No, seriously, I went in saying, “Sorry, love you guys, but my husband got a job offer a thousand miles away, here’s my two weeks’ notice” and they said “Wait wait, how about you work for us remotely?” Eight years and three moves since, I have either the longest or the shortest commute of anyone I know. It only takes me thirty seconds to stroll down the hall to the living room, but if I have to actually go to the office, that’s an all-day flight…

Stuart: Hola! If you had a superpower other than enrapturing employers, what would it be?

Kate: Can I have Hermione’s Time-Turner instead? I work full time, raise my daughter, and try to put in 3-4 hours a day on writing related stuff. As a result I often feel like Bilbo: “Butter that’s been scraped over too much bread”.

Stuart: Done! Now where did I put that thing….oh well, here’s a bagel. Er…next question. What was your favorite toy growing up?

Kate: The woods out back. We had a narrow lot that stretched out for what felt like miles, all wooded and hilly, with a four-foot ravine along one edge to play in and fallen trees to turn into forts. We’d go out after lunch and just be gone all day.>

Stuart: Ha ha! Me too. That tree made it into my upcoming Analog story, in fact. My sister and I were always secret agents looking for missing isotopes–whatever those were. If you adopted a unique wardrobe tag (ala Dr. Who’s scarf/bowtie etc.), what might it be?

Kate: My husband and I had custom-fitting hats made recently by a local hatmaker. He used this steampunk tophat device to measure our heads, and then shaped the hats to our heads. I love my fedora, I wear it every time I go out.

Stuart: Tell us about your winning story.

Kate: I’ve had three finalists at WotF now and they’re actually all in the same world, though that is not obvious at first glance. Swords Like Lightning, Hooves like Thunder is one of my favorites. It starts with the heroine running desperately from the enemies that have captured her brother. She meets a mysterious stranger and goes on a journey into a strange, exciting new world. This story actually sprang from an offhand reference to a legend that I wrote into an as yet unpublished novel. I started wondering just what that story had looked like to the people who lived it…. Interestingly, my other published story, The Golden Knight, was the second legend referenced in that same novel, and I wrote it for the same reason.

Stuart: Do you prefer fantasy or scifi?

Kate: You’d think as a software engineer who was reading hard SF at twelve ,that would be my passion, but I’ve been drawn to traditional fantasy. I like stories about duty and honor and sacrifice. I also really like using family, marriage, and relationships as plot motivators, and that tends to work better in fantasy.

Stuart: Well awesome, Kate. Enjoy the WotF workhop, it’s definitely a bit of fairytale come true.

Follow Kate at www.kdjulicher.com, and check out The Golden Knight at http://www.baen.com/the_golden_knight.

Meet the Winners – Julie Frost

Welcome friends and readers, lend me your…er..eyes! Say hello to freshly minted Writers of the Future winner, Julie Frost.

Stuart: Congratulations Julie! Tell the good folks a little about yourself. What got you into writing?

Julie: I used to write a lot in high school, but got out of the habit in college. I didn’t pick it up again until I discovered Buffy the Vampire Slayer fanfiction. I cut my writerly teeth on that, learning how to plot, keep characters consistent, and actually finish. The first piece of “original” fiction I actually wrote was a Firefly story I assiduously scraped the serial numbers off of by combining characters, changing sexes, and adding aliens (it’s up for free on my blog). The first story I ever sold was one starring those folks.

Stuart: Cool! I was somewhat the same. I just left behind those childish dream until one day they build up and exploded.

Julie: (Raises a wolf mug)

Stuart: I understand you write an eclectic mix of scifi, fantasy, and horror. What have you been working on lately?

Julie: Lately it’s been all werewolves, all the time. There’s so much you can do with them—I’ve even surprised myself.

Stuart: I can see that. Sort of inherently conflicted characters. And where do you do you write your werewolves. Describe your “writer’s cave.”

Julie: People have caves? I should get a cave. In a bar.

Stuart: No, silly. You put the bar in your cave. That way, when the moon is full—oh never mind. Do you have any unusual talents or hobbies?

Julie: Currently, it’s all writing all the time, with the occasional foray into picking up a new Oaxacan carving or anteater figurine.img_0487 In the past, I’ve enjoyed Dog Agility (my dog was the first dog in Utah to earn a title from NADAC and the first Brittany in the country to do so, back in the day), collecting and mounting insects, and building plastic car models. Zoo and nature photography and travel are fun. I also collect werewolf movies. The worse, the better.

Stuart: Wow! That’s amazing. You know, Dave Farland is from Utah. And Orson Scott Card and Brad Torgerson if either of them are there this year. How long have you been entering WotF?

Julie: I entered for the first time in 2007. I’ve garnered 14 form rejections, 11 Honorable Mentions, 2 Semi­Finalists, and 2 Finalists. This story was my second Finalist.

Stuart: Are you a Pantser or a Plotter?

Julie: I used to swear by (and at) pantsing. Then I decided to do a short story NaNo project (in January, because I just can’t even in November), but knew that if I wanted to write 50,000 words worth of short stories without crashing and burning ignobly, I needed a plan. So I grabbed the Seven­Point Plot Outline, plotted out seven stories using it, and wrote five of them across 53,000 words that month. I have sworn by plotting ever since.

Stuart: Way to go! Knowledge is power. If you had a superpower, what would it be?

Julie: The ability to read books by other people and write my own at the exact same time.

Stuart: Kind of like chewing gum and whistling at the same time, or whistling and drinking a coke-float. Yeah. Now we’re talking. When you were a kid, what was your favorite toy?

Julie: I had a stuffed donkey I slept with and still actually own. I do remember always having my nose stuck in a book.

Stuart: Good preparation! If you adopted a unique wardrobe tag what might it be?

Julie: All wolf shirts, all the time. Oh, wait, that’s… pretty much what I wear now!

Stuart: So you wearwolves. I see. I think I see a pattern here… So tell us about your winning story.

Julie: It’s about a werewolf who is (probably) clinically depressed (having just lost his entire pack to hunters) going on a hunter-killing spree to make his city safe for his kind again. It opens in the morgue. The ending is super bittersweet, though not as awful (for the character) as the original ending was. I actually re­wrote it from nearly the ground up with Dave Farland’s sensibilities in mind. His comment about my first Finalist (which was also a werewolf story) was “Is it a story about werewolves, or a story about belonging?” That one, I hadn’t seen that way. This one definitely was. I used a lot of sensory imagery, and I had fun with the world-building aspects and the character immersion. I guess it

worked, since Dave famously “hates” werewolf fiction (he says so in my novel blurb), and yet he’s

put two of mine up as Finalists.

Stuart: Well done. I often remind folks who enter the contest over and over that, like any market, there are tastes and sensibilities to be considered. How about your tastes? What’s your favorite genre?

Julie: Urban fantasy is my current genre du jour. I find stories set in a semblance of our world just a little more satisfying. I like imagining what might lurk in the corners and shadows if we only had the wit to see it.

Stuart: Like…werewolves! Well thanks Julie. I can’t wait to see you on stage in April!

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Follow Julie at agilebrit.livejournal.com and @juliecfrost.

Meet The Winners 2016 – Matt Dovey

12247064_1681806465389861_7632676903299013661_nWhen I won the L Ron Hubbard Writers of the Future contest, it brought many new experiences into my life. One of the most rewarding has been meeting fellow winners of the contest. So not to deprive you of the same, please join me in welcoming 2015 winner, Matt Dovey, a very tall, very English fellow who has stopped by with a cup of tea.

Stuart: Hi Matt! Welcome to Sputnik’s Orbit, don’t mind the cables, and whatever you do, don’t touch that lever.

Matt: Thanks, I won’t.

Stuart: So tell us a little about yourself.

Matt: Well, I am, predictably, a geek. I work with computers for a living, and the only reason I don’t spend all my time playing computer games anymore is that I’m too busy writing now. I am a proper country boy– a Yellowbelly, in fact–and live in a quiet market town with my amazing wife and three children. The sunrises here are glorious.

Stuart: A yellowbelly eh? I should point out to my American readers that in the UK, that means someone from Lincolnshire, not someone who runs from a fight. So what dragged you away from the sunset and into the writing life?

Matt: I’ve always just felt like a writer, even if I’ve not particularly been writing at the time. I read an awful lot of books as a child, so I suppose it’s based in that. I met my best man at primary school when I saw him misspell Martin the Warrior as “Martian the Warrior” on a book report. Reading is a fundamental part of who I am.

Stuart: Ha ha! That’s me too. I used to write all the time as a kid, just never took it seriously.

Matt: My first fiction was Skies of Arcadia fan fiction. I’m not ashamed (though it is pretty terrible. You could Google it, but you shouldn’t).

What got me started on trying to do it properly? Hilariously enough, because I needed some money, and thought the world would be falling over itself to shower me with praise and money. I have been severely disavowed of both those notions in the three years since.

Stuart. That goodness. You know what’s the last advice Tim Powers gave me at our workshop? Marry into wealth. You did say you have a pretty amazing wife. Does she put up with your writing space?

Matt: I have a man-cave. I’ve got my first Amiga 500, an N64, Gamecube, Dreamcast, Wii and 360–along with my PC, all hooked into a big plasma TV. There’s shelves full of books and DVDs and old Warhammer figures. I am surrounded by all my accumulated nerdery there.

Stuart: Cool. What do you do when your aren’t writing.

Matt: I’ve spent half my life live-roleplaying, which turns out to be marvellously useful for writing. I also homebrew wine and take my SLR with me everywhere I go.

Stuart: Aweseom! You will definitely need it at the workshop. How long have you been entering WotF?

Matt: This was my sixth entry over the course of two years. I’d had two honorable mentions before this. It’s my first sale of any kind, though I’ve just signed a contract with Flash Fiction Online for “This is the Sound of the End of the World”.

Stuart: Well all right! Go man! Tell me this, Star Trek or Star Wars?

Matt: I reject your false dichotomy. Star Trek is science fiction at its best: an examination of humanity, the best and worst of us, our hopes for the future and our fear of ourselves. TNG did it best. Star Wars is fantasy at its best: there has never been another piece of escapism as fine or as successful. Who amongst us has never pretended to be a Jedi? Anyway, the correct answer is “Firefly”.

Stuart: You are correct sir! Have some lovely tea. Do you prefer fantasy or scifi more?

Matt: I love both–and write both–but I am a fantasy geek at heart. Warhammer still occupies a huge part of my imagination, all its gothic spires and overwrought high fantasy.

Stuart: You will probably be meeting Jordan Ellinger, who’s written a lot for Warhammer. He says it has it’s pluses and minuses professionally, but is a great foundation to add to.

Matt: It’s a magpie world, made of stolen shiny bits from a hundred other places, jumbled together and turned up to eleven, and I love it uncritically.

Stuart: There you go. What else?

Matt: Discworld is almost a third parent to me, it’s such a large part of my moral education. I strongly suspect my atheism and humanism was born on the streets of Ankh-Morpork and in the hills of Lancre and the grey plains of Death’s Country.

Stuart: Thanks a lot, Matt. The Texas Talliban will be writing all our great state’s school librarians in the morning.

Matt: Ha ha. Fantasy is so much more than the traditional definition though. It’s the cracks between the pavements that people fall through, it’s the world on the other side of the mirror, it’s the magic you see out of the corner of your eye. I love Gaiman and Miéville and Moorcock, the incredible imagination they bring to bear. I think, even more so than science fiction, fantasy is the one truly unrestrained genre. Laws of physics? Consistent biology? Extrapolated technologies? Such limiting concerns. But magic–magic can take you anywhere.

Stuart: Indeed. Speaking of which, if you had a superpower, what would it be?

Matt: Invisibility. Because I am a writer, and thus an awkward introvert. So long as my SLR could be invisible as well, so I could get some glorious candid portraiture. (Not that kind, you perverts.)

Stuart: Ha ha! Tell us about your winning story

Matt: I can’t say much, because the story is still being blind judged for the Golden Pen award. But it is, objectively, the best thing I’ve written to date: it has characters I like, and characters I dislike but admire, and an actual plot structure to it, and hopefully some cool world-building to it (I think so). It is also a story & setting that has fundamentally grown out of who I am, and it absolutely embodies my politics and my opinions. It’s the sort of story where I looked back on it and thought, “Huh. So that’s what I believe.” Writing really is thinking on paper for me.

Stuart: Are you a pantser or a plotter?

Matt: Mostly plotter. I have to know where I’m headed with a story, else I end up just noodling around going nowhere in the story, and by Dickens does that result in some boring passages of prose, ripe for later deletion. But my plotting comes out in a rush of inspiration and excitement as a core idea sparks off implications and interesting scenes and snatches of conversation and gorgeous visuals. I scribble it all down frantically in no sort of order. If I could type at 2,000wpm I’d be a pantser, but the limitations of this frail corporeal existence require me to be a plotter.

That said, any plot as originally envisioned is never complete, and is never adhered to wholly. It seems that half my brain is in my fingers, and the best ideas come while I’m typing. This half-brain-architecture also has limited capacity, such that I have to write down what I’ve already got in order to make room for the rest of the idea to fill out. This is where the role playing comes in handy–I can feel the shape of where an idea should be when I’m writing, and I can just reach out and grasp something from the aether. Occasionally, it even turns out to be something good.

So as long as I have a reasonable idea of where I’m headed, I can pants along the way. (There’s a quote to confuse non-writers.)

Stuart: I think you have the right idea. Plan the work—then wing it. So aside from the WotF workshop, and Flash Fiction Online, what have you got coming up?

Matt: I’m also shortly to appear on a BBC TV quiz show, Pointless, with my wife sometime early this year. That was a surreal experience to film. As soon as I know an airing date, I’ll shout about it on my website/Twitter.

Stuart: How awesome? Well leave a comment with a link when you have one, and soak it in at the workshop. They put on one hell of a show.

Matt: Thanks, I will!

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To watch Matt receive his WotF award live on the Internet the second week of April, Google the Writers of the Future contest as the date approaches. You can also follow Matt at mattdovey.com | facebook | twitter

 

 

 

 

 

 

 

 

 

Since When Is Life Fair?

Damn you Eric flint, for writing this excellent essay and distracting me when I’m supposed to be writing! (Not really, Eric, you’re awesome and your cap is awesome).

In this excellent essay, Eric demonstrates that the fundamental charge underlying the recent Hugo kerfuffle is valid, that the nominations in recent decades have diverged from the tastes of the broader market. He goes on to argue persuasively that this is an inevitable phenomenon for any award, and not the dark ideological conspiracy imagined by the puppies campaigners.

To which my reply is, so what if it was?

Why would anyone think the Hugos SHOULD reflect the mass market in the first place? As I told Brad Torgersen early last year before attempting to bow out of the ensuing train wreck, it’s the WSFS’s show. They make the rules, and if the puppies or anyone else doesn’t like them they are free to create and fund their own award. I’ve seen awards that are explicitly only open to women or minorities or people who reside in Alabama. So what? Other awards are only looking for stories with certain outlooks or themes. So what? Clarkesworld, Analog, Asimov’s, and the editors at Tor and Daw and Baen all have their own interests and tastes, their own slice of the market they believe they can serve, and so that’s what you send them. Sometimes they tell you what they are looking for. Usually you take a stab. Often, what they tell you turns out to be wrong. So what?

Is it really such a shock or disgrace if the group funding the award honors their own collective tastes–just like every professor teaching in every MFA program anywhere on Earth? So what? The market already rewards the crowd pleasers, and if the problem is that some up-and-comer thinks he needs a Hugo for the publicity boost–well, the Hugo doesn’t exist to promote up-and-comers, it exists to sell tickets to WorldCon, to pay omage to Hugo Gernsback, and to do whatever the heck else those who put up the purse and throw the shindig want it to.

Those who don’t like it are free to complain. They are also free to write whatever they think will win a Hugo, or to promote WSFS memberships among their fans and friends, and so add diversity if they see it lacking, without stooping to petty games and mudslinging.

That’s it. That’s all I’ve got. I have word count targets to meet.

A Confident Humility

Here’s a copy of the Writers of the Future video that was shown during the big awards show last April, featuring glimpses of my experience as a contest winner and interviews with many of my friends and mentors. I’m sure you’ll find more than a few things interesting, humorous, and/or educational, but I’ll just speak to a few points.

At 2:42, fellow winner Randy Henderson talks about the blind submission process.  This is a unique and laudable feature of this contest. It helps eliminate unconscious bias and ensure the merit of every award.

At 6:34, I talk about seeing my illustration for the first time.

At 8:28, I talk about the honor of winning, and as Trevor says somewhere, the sense of responsibility one feels after winning, to meet or exceed standards you never knew you could reach for, and now are held accountable to by association with all the others involved in the contest, winners, instructors, and legends.

[youtube https://www.youtube.com/watch?v=SJIAGzHZOYY?list=PL0OhC35xZyUVUCBhMFxUpLBDUbMv1amyX]

I must say that after being welcomed by heroes like Tim Powers, Orson Scott Card, and Larry Niven, after walking out on stage in the Wilshere Ebell, nothing seems all that daunting anymore. Dave Farland, one of our instructors, talks of writing with confidence. Winning this contest gives you personal confidence, and a powerful humility too.

Comicpalooza is Here!

My Comicpalooza Schedule:

Comicpalooza will be held at the George R Brown Convention Center in glorious downtown Houston, Friday May 22 through Monday May 25th, and it’s ALL ABOUT ME! Well, no. It’s not. Not at all. Not really. But I will be there, and you can come see me, and we can connect as human beings, or cyborgs, you know, as the case may be.

So here’s where to find me:

  • Friday at 4: Star Trek vs Star Wars. Rm21 352A w/ P. J. Hoover, Wayne Basta, Dom. D’Aunno.
  • Sunday 1-4: Signing and jawjacking at the Skipjack Publishing table.
  • Sunday at 4: Evolution of the Star Trek Franchise, w/ Rebecca Shwartz, Wayne Basta, Diana Dru Botsford, Marshal Ryan Maresca. Rm 3, 350B
  • Monday 1-4: Signing and Flamenco dancing at the Skipjack Publishing table (There will be no dancing).
  • Monday at 4: Scifi Writing on TV, w/ C.D. Lewis, Rick Klaw, Wayne Basta, Diana Dru Botsford. Rm 1, 350A

I’ll have copies of the Writers of the Future anthology and Galaxy’s Edge Issue 14 with Robert Heinlein on the cover. Skipjack will have copies of the two Tides anthologies, one scifi with a story of mine in it, one fantasy which I co-edited. Come by and ask us stuff. Cuz we like that. And bring a camera. And a smile. 😉