I was recently asked about this pair of images, suggested by moon hoaximonkians that the whole Apollo program was one big load of bull, as real and Donald Trump’s hair:
“The flags in these two shots are suspiciously similar…These side-by-side comparisons reveal the startling fact that BOTH flags are billowing positively towards the camera…blah blah, blah.”
Originally, I suspected these had been modified as is often the case with hoax monkeys, who either twist things to fit their narrative or simply don’t bother to go find decent quality source material open which to base their flights of fancy. After all, the image on the left was used in a well-known composite called “Flag and Earth,” created in 2003 by Ricardo Salamé Páez.
However, good quality scans are available at Apollo 11 Image Library. Neither is from the Data Acquisition Camera. Both are from magazine 40, loaded into the Hasselblad used for the first EVA. The image on the left is cropped from magazine shot 5905. The one on the left is cropped and blown up from shot 5885.
If the images appear similar, it’s because they are pictures of the same flag photographed from opposite vantage points. For analysis, NASA compiled this map of all features, equipment, and photos taken at the Apollo 11 landing site:
So the images are real, just carefully cropped and manipulated from low quality source and presented with a false claim that they are impossibly “billowing” in the wrong directions. How this is any sort of hoax claim is hard to imagine. After all, someone would have to go to a lot of trouble to MAKE this happen, it’s not like a flag would be very likely to “billow” identically in two different directions in two different shots on its own.
In fact, the flag is not billowing at all. It’s hanging motionless from a metal rod. The rod is too short for the flag so that the fabric can be gathered like a curtain, to sort of simulate waving, but w the moon, they found the end retained the curl from having spent months packed tightly inside a narrow plastic tube. There may also be static electricity at play, this being nylon in a perfectly dry environment.
But okay, it’s a silly claim, but let’s take a look.
First the right image. This is the highest resolution available for this image, blown up to match the size of the left image, and I defy anyone to definitively determine whether any of the folds are towards or away from the camera. The only thing clear in this fuzzy frame is that the flag is fairly opaque. It’s hard to tell from this frame, but we know from the log and from the other picture that the curl near the end of the strips is not a simple bend or roll but is bunched, so it makes sense that it will cast a similar shadow on both sides (it is is similar, but not identical).
Now the left image. Here it’s quite clear that this is not a flag billowing in the breeze but is creased and crumpled cloth. The “billow” indeed appears to project toward the camera on both sides–it isn’t a billow, it’s a gather or bunch.: The shadow is similar but not identical on each side, and what should be the upper left corner (the little flap protruding a third of the way from the bottom, clearly is on the side facing the camera. Going back, the same protrusion is clearly behind the flag in the right image.
And the more you compare the images, considering the stripes are pointing almost directly into the sun, you can see that we are looking at mirror faces of the same, non-moving flag. The fold in the lower stripes in the left image covers one star that remains visible in the right image. A fold at the bottom of the “billow” in the right image is covered in the left. Looking at the ripples where the stars attach to the the rod, the ripples occur in precisely the same spot in each frame, but the prominently lit star in the upper right of the left image is hidden in shadow in the right–the ripples are reversed as they should be.
So like everything put forth by the hoax monkeys, close analysis of good source material only counters the claim.
Forget the conspiracies. Get some intentional fiction free from C Stuart Hardwick